{"id":2082,"date":"2020-02-14T09:09:11","date_gmt":"2020-02-14T08:09:11","guid":{"rendered":"https:\/\/nettop.guru\/wordpress\/?p=2082"},"modified":"2023-09-27T14:26:02","modified_gmt":"2023-09-27T12:26:02","slug":"its-not-the-end-of-the-world","status":"publish","type":"post","link":"https:\/\/nettop.guru\/wordpress\/its-not-the-end-of-the-world\/","title":{"rendered":"It\u2019s Not the End of the World"},"content":{"rendered":"\n

What does it mean for the world to end? Does it end in the same way for all? And might it have already ended for some? During the summer and autumn of 2019 the art collective Superflex flooded Cisternerne, an exhibition space for contemporary art in the abandoned underground water reservoirs of Copenhagen, and invited visitors into a dark, post-apocalyptic world. The title of the exhibition was It\u2019s not the End of the World<\/em>, and in this podcast-episode Line Henriksen from the Monster Network met with independent artist Katja Aglert, PhD candidate Ida Hillerup Hansen and postdoctoral researcher Marietta Radomska in the cold dark depths of Copenhagen to discuss the (non)ending of the world.\u00a0<\/p>\n

About the researchers and artists of this episode:<\/em><\/strong>\u00a0<\/p>\n

Katja <\/em><\/strong>Aglert<\/em><\/strong>\u202fis an independent artist whose practice is transdisciplinary in nature, and includes both individual and collaborative projects. She is an executive board member of The Seed Box, an international environmental humanities collaboratory headquartered at Link\u00f6ping University. She teaches regularly at Ume\u00e5 Art Academy, and Konstfack University of Arts, Crafts, and Design.\u00a0 Website: katjaaglert.com<\/a>\u00a0<\/p>\n

\u00a0Ida <\/em><\/strong>Hillerup<\/em><\/strong> Hansen<\/em><\/strong> is a PhD candidate at the Department of Gender Studies at Central European University in Budapest and currently a visiting researcher at Institute for Cultural Inquiry at Utrecht University. Their research explores embodied experience of loss through a lens of contemporary grief discourse and feminist poststructuralist and psychoanalytic theories of mourning.\u00a0\u00a0<\/p>\n

Marietta <\/em><\/strong>Radomska<\/em><\/strong>, PhD, is a Postdoc at the Department of Thematic Studies, Link\u00f6ping University, and Department of Cultures, University of Helsinki. Her current research focuses on ecologies of death in the context of contemporary art. She is the author of the monograph Uncontainable Life: A <\/em>Biophilosophy<\/em> of <\/em>Bioart<\/em> (2016), and has published in Australian Feminist Studies<\/em>, Somatechnics<\/em>, Angelaki<\/em>, and Women, Gender & <\/em>Research, among others.\u00a0Personal web:\u202fwww.mariettaradomska.com<\/a>\u00a0|Queer Death Studies Network website:\u202fhttps:\/\/queerdeathstudies.net\/<\/a>\u00a0|The Posthumanities Hub website:\u202fhttps:\/\/posthumanities.net\/<\/a>\u00a0<\/p>\n

Du finner transkripsjon av episoden her (pdf, \u00e5pnes i nytt vindu)<\/a><\/p>\n

https:\/\/media.blubrry.com\/erasmus_enfermera_espaola\/dts.podtrac.com\/redirect.mp3\/podcast.uis.no\/media\/Monster_Talks\/Not_the_End_of_the_World.mp3<\/a><\/audio><\/div>

Podcast: Play in new window<\/a> | Download<\/a> (Duration: 27:36 — 37.9MB) | Embed<\/a><\/p>

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Subscribe: Email<\/a> | RSS<\/a> | More<\/a><\/p>","protected":false},"excerpt":{"rendered":"

What does it mean for the world to end? Does it end in the same way for all? And might it have already ended for some? During the summer and autumn of 2019 the art collective Superflex flooded Cisternerne, an Les mer …<\/a><\/span><\/p>\n","protected":false},"author":5,"featured_media":2074,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[202],"tags":[],"class_list":["post-2082","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-monster-talks"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/nettop.guru\/wordpress\/wp-content\/uploads\/2020\/02\/Podcast_MonsterTalks_440x300px.jpg?fit=440%2C300&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7OAJ5-xA","jetpack-related-posts":[{"id":2310,"url":"https:\/\/nettop.guru\/wordpress\/writing-with\/","url_meta":{"origin":2082,"position":0},"title":"Writing With","author":"NettOp UiS","date":"30\/10\/2020","format":false,"excerpt":"With whom do we write when we write?\u00a0In this episode of\u00a0Monster Talks, Aino-Kaisa Koistinen (University of Jyv\u00e4skyl\u00e4) and Line Henriksen (IT University of Copenhagen) talk about the people, thoughts, creatures, objects and events that keep us company when we write, and that make writing possible \u2013 or sometimes\u00a0impossible, even monstrously\u2026","rel":"","context":"In "Monster Talks"","block_context":{"text":"Monster Talks","link":"https:\/\/nettop.guru\/wordpress\/category\/monster-talks\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/nettop.guru\/wordpress\/wp-content\/uploads\/2020\/02\/Podcast_MonsterTalks_440x300px.jpg?fit=440%2C300&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4623,"url":"https:\/\/nettop.guru\/wordpress\/normandsdalen-art-power-and-materials-in-18th-century-denmark-norway\/","url_meta":{"origin":2082,"position":1},"title":"Normandsdalen: Art, Power and Materials in 18th Century Denmark-Norway","author":"NettOp UiS","date":"29\/09\/2025","format":false,"excerpt":"Over the period 1764\u201384, King Frederik V established a sculpture park at Fredensborg Palace North of Copenhagen, with 70 statues of Norwegian, S\u00e1mi and Faroese people. 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